Descente de la grande pyramide
Artist
Félix Adrien Bonfils
(French, 1831 – 1885)
Datec. 1870
Period19th century
MediumAlbumen print
DimensionsImage size: 10 7/8 × 8 5/8 inches
Object size: 13 1/2 × 11 inches
Mat size: 20 × 16 inches
Credit LineGift of Pieter Broucke and Kirsten Hoving
Object number2019.020
Curatorial DepartmentEuropean Art (pre 1900)
Object TypePhotographs
![Las camas de la muerte [The beds of death], Plate 62, from Los Desastres de la Guerra [The Disasters of War]](/internal/media/dispatcher/234/thumbnail;jsessionid=8CECE112784EF402C045FACE8247E91C)
Francisco Goya y Lucientes
1810–1814; later printing
Object number: 1969.029
![Actualités, Number 463: –Comment, Madeleine, avez-vous accepté un morceau pareil ? . . . .
–Madame, le boucher m'a dit comme ça que le commerce de la boucherie allait être libre et que c'est pourquoi qu'y commençait par prendre la liberté de m'donner c'morceau-là ! . . . . [–Madeleine, how could you ever accept a piece of meat like this one? . . . . –Madame, the butcher told me that meat commerce will be free, therefore he took the liberty of giving me this piece! . . . . ], published in Le Charivari](/internal/media/dispatcher/196/thumbnail;jsessionid=8CECE112784EF402C045FACE8247E91C)
Robert Bénard
1805
Object number: 1982.003
![Scènes d’Ateliers, No. 3: Manière polie de mettre un bourgeois à la porte d’un atelier, lui jouer quarante sept fois de suite l’air de la Monaco. [A polite way of showing a citizen to the studio door by playing to him the air from the Monaco suite fourty-seven times.], published in Le Charivari](/internal/media/dispatcher/5064/thumbnail;jsessionid=8CECE112784EF402C045FACE8247E91C)
Honoré Daumier
June 21, 1850
Object number: 2014.204
