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Bathsheba Bringing Abishag to David
Bathsheba Bringing Abishag to David

Bathsheba Bringing Abishag to David

Artist (British, 1743–1822)
Artist (British, 1752–1788)
Artist (Dutch, 1659–1722)
Publisher (British, 1720–1804)
Date1779
Period18th century
MediumMezzotint on paper
DimensionsObject size: 25 1/4 × 18 3/4 inches
Credit LineGift of John Hull Brown ’43 in memory of his wife Alice Cooke Brown ’35
Object numberSC 2022.06
Curatorial DepartmentEuropean Art (pre 1900)
Object TypePrints
Convicerat enim eos Daniel ex ore suo Falsum dixisse Testimonium [For Daniel had convicted them, by their own mouth, of bearing false witness]
Convicerat enim eos Daniel ex ore suo Falsum dixisse Testimonium [For Daniel had convicted them, by their own mouth, of bearing false witness]
Captain William Baillie
1774
Object number: SC 2022.03
Coquetterie, number 3: Eh, Bonjour, chèr ange, toujours jolie! [Hello, dear angel, always pretty!], published in Le Charivari
Coquetterie, number 3: Eh, Bonjour, chèr ange, toujours jolie! [Hello, dear angel, always pretty!], published in Le Charivari
Honoré Daumier
December 22, 1839
Object number: 1981.008
Old Ben and Mrs. Marks
Old Ben and Mrs. Marks
Edwin Dickinson
1916
Object number: 1991.001
Alope
Alope
Richard Earlom
1787
Object number: 1986.048
Des mères de famille!, plate IV: Paul! mon ami! me prendriez-vous pour une femme légère?, published in Le Charivari
Des mères de famille!, plate IV: Paul! mon ami! me prendriez-vous pour une femme légère?, published in Le Charivari
Paul Gavarni
January 18, 1848
Object number: 1981.032
Portrait of Mary Van Vechten Shaffer
Portrait of Mary Van Vechten Shaffer
Grant Wood
1930
Object number: 1996.001
Saint Christopher Carrying the Infant Child
Saint Christopher Carrying the Infant Child
Orazio Borgianni
c. 1615
Object number: SC 2022.08
Actualités, Number 463: –Comment, Madeleine, avez-vous accepté un morceau pareil ? . . . . –Madame, le boucher m'a dit comme ça que le commerce de la boucherie allait être libre et que c'est pourquoi qu'y commençait par prendre la liberté de m'donner c'morceau-là ! . . . . [–Madeleine, how could you ever accept a piece of meat like this one? . . . . –Madame, the butcher told me that meat commerce will be free, therefore he took the liberty of giving me this piece! . . . . ], published in Le Charivari
Actualités, Number 463: –Comment, Madeleine, avez-vous accepté un morceau pareil ? . . . .
–Madame, le boucher m'a dit comme ça que le commerce de la boucherie allait être libre et que c'est pourquoi qu'y commençait par prendre la liberté de m'donner c'morceau-là ! . . . . [–Madeleine, how could you ever accept a piece of meat like this one? . . . . –Madame, the butcher told me that meat commerce will be free, therefore he took the liberty of giving me this piece! . . . . ], published in Le Charivari
Honoré Daumier
November 30, 1857
Object number: 1968.010
Portrait of a Young Girl
Portrait of a Young Girl
Margaret Foley
1862
Object number: 2020.001
Down the River on a Golden Morning
Down the River on a Golden Morning
Frederic Remington
1896
Object number: 1998.021
Scene in the Writers Building in Calcutta
Scene in the Writers Building in Calcutta
Anonymous (British)
1811
Object number: 1981.053
Tale of Genji (Genji Monogatari), one of a pair of six-panel screens depicting twelve selected chapters from Genji Monogatari
Tale of Genji (Genji Monogatari), one of a pair of six-panel screens depicting twelve selected chapters from Genji Monogatari
Anonymous (Japanese)
18th century
Object number: 2014.058.2