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Hazardous Waste Containment Site, Dow Chemical Corporation, Mississippi River, Plaquemine, Louisiana
Hazardous Waste Containment Site, Dow Chemical Corporation, Mississippi River, Plaquemine, Louisiana

Hazardous Waste Containment Site, Dow Chemical Corporation, Mississippi River, Plaquemine, Louisiana

Artist (American, born 1949)
Date1998/printed 2001
Period20th century
MediumChromogenic color print on paper
DimensionsImage size: 18 × 23 inches Object size: 20 × 24 inches
Credit LinePurchase with funds provided by the Contemporary Photography, Film, and Video Acquisition Fund
Object number2004.026
Curatorial DepartmentModern & Contemporary Art
Object TypePhotographs
Copyright© Richard Misrach, courtesy of Fraenkel Gallery, San Francisco
Image Not Available for Blowout, South of New Orleans, Louisiana
Blowout, South of New Orleans, Louisiana
James P. Blair
1970
Object number: 2021.015
Photo: Jonathan Blake, Vermont
Appreciating Plum Blossoms
Anonymous (Chinese)
early Ming dynasty (1368-1644)
Object number: 2009.004
The Wren Building, William and Mary College, Williamsburg, Va.
The Wren Building, William and Mary College, Williamsburg, Va.
Stanley Roy Badmin
1935
Object number: 2016.079
Coquetterie, number 3: Eh, Bonjour, chèr ange, toujours jolie! [Hello, dear angel, always pretty!], published in Le Charivari
Coquetterie, number 3: Eh, Bonjour, chèr ange, toujours jolie! [Hello, dear angel, always pretty!], published in Le Charivari
Honoré Daumier
December 22, 1839
Object number: 1981.008
58. Clatsop County, Oregon. Jellied gasoline (napalm) is sometimes used to speed the burning of waste. From Turning Back, A Photographic Journal of Re-exploration
58. Clatsop County, Oregon. Jellied gasoline (napalm) is sometimes used to speed the burning of waste. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.058
85. A clearcut as seen from within the edge of a “beauty screen,” Clatsop County, Oregon. Timber companies now leave thin strips of woodland along public roads to mask clearcuts. When these deceptions cannot obscure the facts, corporations sometimes employ landscape architects to design clearcuts so that they will mimic the appearance of naturally open areas like meadows and rock slides. To further disguise their work, the forest products industry generates voluminous propaganda. Not many wars, even, have been justified by so much lying. From Turning Back, A Photographic Journal of Re-exploration
85. A clearcut as seen from within the edge of a “beauty screen,” Clatsop County, Oregon. Timber companies now leave thin strips of woodland along public roads to mask clearcuts. When these deceptions cannot obscure the facts, corporations sometimes employ landscape architects to design clearcuts so that they will mimic the appearance of naturally open areas like meadows and rock slides. To further disguise their work, the forest products industry generates voluminous propaganda. Not many wars, even, have been justified by so much lying. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.085
86. A clearcut as seen from within the edge of a “beauty screen,” Clatsop County, Oregon. Timber companies now leave thin strips of woodland along public roads to mask clearcuts. When these deceptions cannot obscure the facts, corporations sometimes employ landscape architects to design clearcuts so that they will mimic the appearance of naturally open areas like meadows and rock slides. To further disguise their work, the forest products industry generates voluminous propaganda. Not many wars, even, have been justified by so much lying. From Turning Back, A Photographic Journal of Re-exploration
86. A clearcut as seen from within the edge of a “beauty screen,” Clatsop County, Oregon. Timber companies now leave thin strips of woodland along public roads to mask clearcuts. When these deceptions cannot obscure the facts, corporations sometimes employ landscape architects to design clearcuts so that they will mimic the appearance of naturally open areas like meadows and rock slides. To further disguise their work, the forest products industry generates voluminous propaganda. Not many wars, even, have been justified by so much lying. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.086
57. Clatsop County, Oregon. Jellied gasoline (napalm) is sometimes used to speed the burning of waste. From Turning Back, A Photographic Journal of Re-exploration
57. Clatsop County, Oregon. Jellied gasoline (napalm) is sometimes used to speed the burning of waste. From Turning Back, A Photographic Journal of Re-exploration
Robert Adams
1999–2003
Object number: 2006.026.057
Birmingham, Alabama from the series Memories of the Southern Civil Rights Movement Highway patrolmen outside the site of the bombed 16th Street Baptist Church, where four young girls were murdered.
Birmingham, Alabama from the series Memories of the Southern Civil Rights Movement
Highway patrolmen outside the site of the bombed 16th Street Baptist Church, where four young girls were murdered.
Danny Lyon
1963/printed later
Object number: 2014.140
Proposed Pavilion, “Site Plan--Pavilion Location”
Proposed Pavilion, “Site Plan--Pavilion Location”
Dan Graham
1994
Object number: 1995.015
Image Not Available for Rhythm 21 (1921), by Hans Richter, Lightplay: Black-White-Grey (1932) (excerpt), by Laszlo Moholy-Nagy, Site (1964) (excerpt), by Robert Morris and Stan VanDerkeej, and Linoleum (1967)(excerpt), by Robert Rauschenberg from Aspen, The Magazine in a Box, The Minimalism Issue, no. 5 + 6
Rhythm 21 (1921), by Hans Richter, Lightplay: Black-White-Grey (1932) (excerpt), by Laszlo Moholy-Nagy, Site (1964) (excerpt), by Robert Morris and Stan VanDerkeej, and Linoleum (1967)(excerpt), by Robert Rauschenberg from Aspen, The Magazine in a Box, The Minimalism Issue, no. 5 + 6
Brian O’Doherty
1967
Object number: 2015.239.07
Birmingham, Alabama from the series Memories of the Southern Civil Rights Movement Highway patrolmen outside the site of the bombed 16th Street Baptist Church, where four young girls were murdered.
Birmingham, Alabama from the series Memories of the Southern Civil Rights Movement
Highway patrolmen outside the site of the bombed 16th Street Baptist Church, where four young girls were murdered.
Danny Lyon
1963
Object number: 2001.010.13